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M.T.A.

Posted: 2008-10-03

New York Times Obituary: Nick Reynolds, Kingston Trio Harmonizer, Dies at 75

Ohanian Comment: You can travel down memory lane and watch an old black & white film of the Kingston Trio performing this song here.



I post this for three reasons.



1) It is a delicious part of my childhood.



2) A transportation buff has provided fascinating background information. [See history below.]



3) I see wry connections between the fare increase policy and NCLB. In another version, we get this:



"I can't help," said the conductor,

"I'm just working for a living,

But I sure agree with you."

"For the nickels and the dimes you'll be spending in Boston

You'd be better off in Timbuktu."



We hear that helpless refrain so often these days in connection with NCLB:

  • I know it hurts kids but I can't help it


  • Just following orders


  • Please do something. . . but don't use my name


  • Help me; I can't/won't help myself




  • Did she ever rebel,

    No she never rebelled

    And her fate is still unlearn'd

    She may teach forever

    In the schools of NCLB

    She's the one who never rebelled.







    M.T.A. Lyrics

    From The Kingston Trio at Large

    Date: 07/01/1959

    Jacqueline Steiner/Bess Hawes




    Spoken:

    These are the times that try men's souls. In the course of our nation's history, the people of Boston have rallied bravely whenever the rights of men have been threatened. Today, a new crisis has arisen. The Metropolitan Transit Authority, better known as the M.T.A., is attempting to levy a burdensome tax on the population in the form of a subway fare increase. Citizens, hear me out! This could happen to you!



    (Eight bar guitar, banjo introduction)



    Let me tell you the story

    Of a man named Charlie

    On a tragic and fateful day

    He put ten cents in his pocket,

    Kissed his wife and family

    Went to ride on the MTA



    Charlie handed in his dime

    At the Kendall Square Station

    And he changed for Jamaica Plain

    When he got there the conductor told him,

    "One more nickel."

    Charlie could not get off that train.



    Chorus:

    Did he ever return,

    No he never returned

    And his fate is still unlearn'd

    He may ride forever

    'neath the streets of Boston

    He's the man who never returned.



    Now all night long

    Charlie rides through the tunnels

    the station

    Saying, "What will become of me?

    Crying

    How can I afford to see

    My sister in Chelsea

    Or my cousin in Roxbury?"



    Charlie's wife goes down

    To the Scollay Square station

    Every day at quarter past two

    And through the open window

    She hands Charlie a sandwich

    As the train comes rumblin' through.



    As his train rolled on

    underneath Greater Boston

    Charlie looked around and sighed:

    "Well, I'm sore and disgusted

    And I'm absolutely busted;

    I guess this is my last long ride."

    {this entire verse was replaced by a banjo solo}



    Now you citizens of Boston,

    Don't you think it's a scandal

    That the people have to pay and pay

    Vote for Walter A. O'Brien

    Fight the fare increase!

    And fight the fare increase

    Vote for George O'Brien!

    Get poor Charlie off the MTA.



    Chorus:

    Or else he'll never return,

    No he'll never return

    And his fate will be unlearned

    He may ride forever

    'neath the streets of Boston

    He's the man (Who's the man)

    He's the man who never returned.

    He's the man (Oh, the man)

    He's the man who never returned.

    He's the man who never returned.





    History



    In the 1940s, the MTA fare-schedule was very complicated - at one time, the booklet that explained it was 9 pages long. Fare increases were implemented by means of an "exit fare". Rather than modify all the turnstiles for the new rate, they just collected the extra money when leaving the train. (Exit fares currently exist on the Braintree branch of the Red Line.) One of the key points of the platform of Walter A. O'Brien, a Progressive Party candidate for mayor of Boston, was to fight fare increases and make the fare schedule more uniform. Charlie was born.



    The text of the song was written in 1949 by Jacqueline Steiner and Bess Lomax Hawes. It was one of seven songs written for O'Brien's campaign, each one emphasized a key point of his platform. One recording was made of each song, and they were broadcast from a sound truck that drove around the streets of Boston. This earned O'Brien a $10 fine for disturbing the peace.



    A singer named Will Holt recorded the story of Charlie as a pop song for Coral Records after hearing an impromptu performance of the tune in a San Francisco coffee house by a former member of the group. The record company was astounded by a deluge of protests from Boston because the song made a hero out of a local "radical". During the McCarthy era of the 1950s, the Progressive Party became synonymous with the Communist Party, and, since O'Brien was a Progressive, he was labeled a Communist. It is important to note that, contrary to popular belief, O'Brien was never on the Communist Party ticket. Holt's record was hastily withdrawn.



    In 1959, The Kingston Trio released a recording of the song. The name Walter A. was changed to George to avoid the problems that Holt experienced. Thus ended Walter O'Brien's claim to fame.



    Walter A. O'Brien lost the election, by the way. He moved back to his home state of Maine in 1957 and became a school librarian and a bookstore owner. He died in July of 1998.





    The site author adds an amusing note about Charley's Route, "proving" that he eventually did get off the train in 1983, by which time he would have been 65 and eligible for a senior citizen rate.











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